《米兰九口径》究竟在向我们娓娓道来一个怎样的故事？
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
1、《米兰九口径》请问这部作品是在哪一年问世的？
《米兰九口径》是费尔南多·迪·莱沃于1972年拍摄的一部倾力打造的影史传世之作动作片。此片开创其它当代动作片的先河，《米兰九口径》影片一经上映便横扫市场，其票房成绩稳居同期三甲之列，更创下了当年的辉煌纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫剧中角色的装扮，早已蜕变为一个鲜明的文化符号，其设计元素在时尚的轮回中不断被重新激活与效仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰九口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰九口径》首映时曾获海外动作片各方评论均不吝赞美之词，被誉为难以逾越的巅峰之作，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀动作片齐名。
2、被称为动作片的开先河之作的《米兰九口径》，是费尔南多·迪·莱沃最优秀的作品吗?
从费尔南多·迪·莱沃斩获动作片最佳导演 我就觉得这部《米兰九口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰九口径》是他动作片的代表作品。
3、《米兰九口径》它何以被奉为经典？
提起其它动作片，人们都会不约而同地说出《米兰九口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰九口径》，它当年以“黑马”之姿杀出重围，缔造了为人称道的奇迹。那么，我们究竟该如何理解这一现象？又何以达成此番景象？我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃老师曾感言，这作品是一群失意的灵魂，在特定的际遇下相聚，将各自的人生况味凝聚成的一部心血之作。因为在《米兰九口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有4年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰九口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！
4、如何评价《米兰九口径》?
《米兰九口径》作品成功引爆口碑，《米兰九口径》作品方才问世，其美名便不胫而走，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，草莓影视（www.sh-alumina.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰九口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片迷的认可。
5、《米兰九口径》动作片的主要内容
《米兰九口径》是一部动作片动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
6、《米兰九口径》是费尔南多·迪·莱沃由他执导的一部足以载入影史的杰作的动作其它片，该剧讲述了：Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, i，为您量身定制的专属影视片单，正在本站持续更新。想要获得一站式观影视听体验，敬请即刻收藏：www.sh-alumina.com
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
